24-10-2006, 11:14 | #31 |
Screaming Orgasm
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I think you demand too much from your Brit sci-fi.
It's not meant to be hollywood effects-laden and big-budget. |
24-10-2006, 11:28 | #32 | |||
Moonshine
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Edit: Haha. Davies: 'Buffy', 'Angel' inspired 'Torchwood'. Well duh. Quote:
Last edited by petemc; 24-10-2006 at 11:34. |
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25-10-2006, 19:56 | #33 | ||||
A large glass of Merlot
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X-Files, Season 1, Episode 14: Genderbender Not exactly the same as either Angel or Torchwood but certainly following a similar theme. A supernatural being stalking singles in clubs and bars. Saying that the Alien being possessing a woman from Cardiiff and feeding on the sexual energy of it's prey isn't exactly the same as a parasitic demon hunting singles in a bar to possess their bodies leaving its previous host as an eviscerated shell. Quote:
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Is it completely unreasonable to transpose King's 3 themes from horror to other genres such as sci-fi, drama, thriller? If we accept that it is then there are only so many different stories available and it is only the settings, chracterisations and the journey from the start to the end. What I'm trying to say is that OK, you don't like it, but you're basing your dislike on 2 episodes of a series which hasn't got the same amount of money behind it, or the history (although the history of Doctor Who is immense this is a serious leap away from it), or the expnedability that many US Sci-Fi shows have, and is trying to be revolutionary compared to most other BBC productions..
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Khef, Ka and Ka-Tet.... Last edited by Dymetrie; 25-10-2006 at 19:59. |
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25-10-2006, 20:12 | #34 | ||||
Moonshine
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25-10-2006, 20:26 | #35 |
Screaming Orgasm
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From what I've heard, Heroes isn't what you'd call true sci-fi. BSG, B5, and to some extent Angel and X-files are much more long-term character development based, so much more involving.
The new Doctor Who (unlike the old), and also Torchwood, seem to be taking the Star Trek style approach. One, two, maybe three at most episode storylines that you can dip and out of as you see fit. They're much more aimed for entertainment than for gripping storylines. Argueing that one series copies the ideas from another is moot. All of the Trek-style shows do that to varying degrees. There are only so many variations on a theme, so it's pretty likely these days that if you come up with a story, someone else already did something similar before you. This is, in large part, why the later Trek shows got more and more contrived. It's unavoidable. If it's not your thing, fair enough, just say so. I have no argument with that. It's personal choice. |
25-10-2006, 20:48 | #36 |
Moonshine
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Theres a difference I think between being inspired by something and doing your own take on something, like the remake of BSG, and saying you like something and doing a bad copy of it. The most recent ep of BSG was simply *THE* best thing on TV since B5: Severed Dreams. It was simply incredibly directed. I'm still riding the high from watching it. Just mind blowing.
Imho Tourchwood is just bad. The tacky Range Rover, the silly aerial shots, showing a guy ****ing, the lesbian kissing, etc. It just feels so eugh, so amatuerish. Why is it that the Americans can get things right and we can't? I think a lot of scifi fans these days are really enjoying gripping storylines with seasonal arcs. Even Star Trek bended and the last few seasons of DS9 were done that way. You can do more with your characters over a year than an episode. Basically I'm just really disappointed. The last season of Dr Who had some fantastic episodes and the idea of a darker, more grown up version sounded great. Its just such a shame. The BBC can do shows like Hustle, Life on Mars, Spooks and things why can't they get this right? |
25-10-2006, 21:05 | #37 |
Stan, Stan the FLASHER MAN!
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It's on BBC2 now if anybody missed it first time round.
Stan
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Just because I have a short attention span doesn't mean I... |
25-10-2006, 21:39 | #38 | ||||||||
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Do you wonder why US sci-fi is so much better than Uk sci-fi? And no I don't mean the budget. How many sci-fi shows from the last 20 years you can think of. Then think about how many of them were British and how many American. Then think about how many of them were good. This works well with sci-fi films as well. There have been literally thousands of sci-fi movies released in the past year, I guarantee the vast majority of them were American and that the vast majority of them were rubbish. This is what the US has over the UK. Volume. They can happily produce hundreds of bad movies and tv shows (not just sci-fi) and they don't care because if even one of that hundred makes money then they're doing well. They have the money to cover it and when they get given something good then they'll do their damnest to capitalise on it. Taking BSG as an example. The original series was tacky and cheesy. When the remake pilot occured then the production company pumped a good deal of money into it (probably on a par with the amount of money which was pumped into the first new season of Doctor Who). And guess what, they got it right! If they hadn't then they would've thought of something else to do, but because it was popular and merited more then they're pumped more money into it and luckily have managed to perpetuate, and improve on, the good start. They had the opportunity to take the risk and luckily for them (and us) it worked. The BBC doesn't have this option. It must market to the masses as if it doesn't it spawns debates about what we pay our licence fee for. However in my opinion then they have made a good begining with Torchwood which they will hopefully improve on even more. This will be immediately obvious on sunday when the viewing figures for the third episode come in. Quote:
Everything does aerial shots these days and Imo I think this may be something to do with the main character. We've already found out that he 'can't die' and that the last trace of 'Captain Jack Harkness' was from the second world war. Maybe his love of high places is a mixture of these, he could have been a pilot during the war and combining that with his inability to die he may be testing his 'fear of death'. I don't know, I'm just speculating... The ****ing, the lesbian kissing, another device to open up the interest in the show (admittedly to the lowest common denominator) maybe? It may seem amateurish and you may feel that the americans can get it right when we can't but you have to remember that we don't have the span of experience that they have in producing or even writing this kind of stuff. Quote:
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Anyway, I think I may have gone slightly off topic so the only thing left for me to say is... Quote:
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26-10-2006, 01:06 | #39 | |||||||
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I accept its new and I accept that we don't do scifi much but when we do scifi its always the same cheesy stuff, which works for Dr Who and Red Dwarf but if you're trying to do a dark show like Angel don't copy/paste it and do a bad job and don't then admit that its based on Angel either Firefly was brilliant because Joss Whedon knew about scifi and he knew people had seen it all before. So what did he do? He gave the opposite answer to every cliche in the book and the show worked so well. Quote:
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26-10-2006, 03:14 | #40 |
Screaming Orgasm
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One line summary: Pete doesn't like it.
It is cheesy, it is British (or Welsh). If that's not your bag, so be it. I'll not be coming to barge down your door over it. It's just a TV show. /attempts to save thread from sucking itself into a quantum singularity. |